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能と狂言のはざまで -舞う心と舞わぬ心- その1. Between Noh and Kyogen : The Heart that Dances and the Heart that does not Dance, Part One 坂場, 順子 Sakaba, Junko Noh Kyogen dance phases of dance character's state of mind application/pdf Noh and Kyogen, the two brother theatre arts from the medieval Japan, are both holistic theatre arts in which acting is closely intertwined with aural and dvisual elements, though at varying degrees. Dance is one crucial non-verbal element that distinguishes Noh, in particular, from Occidental theatres. Kyogen also has dance in a number of plays. There are similarities and differences between Noh and Kyogen dance. ln this treatise varying degrees of Noh and Kyogen dance will be examined, ranging from a situational dance,a theatrical dance that delineates the character's state of mind, and a theatrical dance that sublimates the motif of the play. Considerations will also be given to the theatrical motivations behind Noh and Kyogen dance--when dance happens, why it happens, and when dance does not happen, why it does not. The treatise will be in two parts. 神奈川工科大学 2004-03-20 jpn departmental bulletin paper VoR https://doi.org/10.34411/00000256 http://hdl.handle.net/10368/278 https://kait.repo.nii.ac.jp/records/263 10.34411/00000256 AN10074088 09161899 神奈川工科大学研究報告.A,人文社会科学編 28 25 34 https://kait.repo.nii.ac.jp/record/263/files/kka-028-003.pdf application/pdf 4.8 MB 2010-02-03