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能と狂言のはざまで -舞う心と舞われぬ心- その2. Between Noh and Kyogen: The Heart That Dances and the Heart That Does Not Dance, Part Two 坂場, 順子 Sakaba, Junko Noh Kyogen pure dance sublimation character's state of mind purposes of dance absence of dance application/pdf Following the discussion in Part One which looked at varying degrees of Noh and Kyogen dance starting with a situational dance followed by a theatrical dance that delineates the character's state of mind, we will continue with the examination of the third group of dance--a theatrical dance that sublimates the motif of a play, with a focus on Noh's pure dance. It will be followed by the main discussion of the treatise: The heart that does not dance. We will clarify the relationship between the state of mind of Noh's main character and the varying degrees of dance elements adopted in a play. Through the analysis of example Noh plays, we will attempt to pinpoint what causes Noh to renounce dance. departmental bulletin paper 神奈川工科大学 2005-03-20 VoR application/pdf 神奈川工科大学研究報告.A,人文社会科学編 29 13 23 AN10074088 09161899 https://kait.repo.nii.ac.jp/record/264/files/kka-029-002.pdf https://doi.org/10.34411/00000257 http://hdl.handle.net/10368/285 https://kait.repo.nii.ac.jp/records/264 jpn