WEKO3
アイテム
狂言における禁忌の領域とその表現
https://doi.org/10.34411/00000223
https://doi.org/10.34411/000002231819bfdf-2eb8-4671-8ab1-366aa191578d
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
kka-023-008.pdf (7.4 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2020-11-24 | |||||||||
| タイトル | ||||||||||
| タイトル | 狂言における禁忌の領域とその表現 | |||||||||
| 言語 | ja | |||||||||
| タイトル | ||||||||||
| タイトル | Taboo Areas and Their Staging in Kyogen Comedic Theatre | |||||||||
| 言語 | en | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Kyogen | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | taboo areas | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | stereotypification | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | unexpected development | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | sublimation | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | departmental bulletin paper | |||||||||
| ID登録 | ||||||||||
| ID登録 | 10.34411/00000223 | |||||||||
| ID登録タイプ | JaLC | |||||||||
| 著者 |
坂場, 順子
× 坂場, 順子
× Sakaba, Junko
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| 抄録 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | Of two hundred fifty some plays of Kyogen comedic theatre in the current repertory, more than half deal with some negative aspects of the humans. Among them a considerable number touches on the areas of taboo, such as power, sex, and violence. While Theatre's main function is to entertain, Kyogen has chosen what is dangerous and yet most entertaining, that is, taboo areas. This treatise analyzes the kinds of taboo are as Kyogen depicts, and how they are transformed into not only acceptable presentation but highly theatricalized art. Given consideration are such approaches as stereotypification including characters, structure and stylization, unexpected development of scenes, sublimation through words, line delivery and physical activities. While Kyogen has become an established traditional art, it draws its primary energy from the daily life of the average people with all their triumphs and humiliations. Kyogen's future survival must lie in the enactment of dangerous zones, and in its characters' very lack of grace and virtue ever ready to trespass the threshold of taboo areas. | |||||||||
| 言語 | en | |||||||||
| 書誌情報 |
神奈川工科大学研究報告.A,人文社会科学編 巻 23, p. 89-100, 発行日 1999-03-20 |
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| 出版者 | ||||||||||
| 出版者 | 神奈川工科大学 | |||||||||
| ISSN | ||||||||||
| 収録物識別子タイプ | PISSN | |||||||||
| 収録物識別子 | 09161899 | |||||||||
| 書誌レコードID | ||||||||||
| 収録物識別子タイプ | NCID | |||||||||
| 収録物識別子 | AN10074088 | |||||||||
| フォーマット | ||||||||||
| 内容記述タイプ | Other | |||||||||
| 内容記述 | application/pdf | |||||||||
| 著者版フラグ | ||||||||||
| 出版タイプ | VoR | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
