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狂言における面とは何か その(1) 日本の芸能面の発現を考える
https://doi.org/10.34411/00000269
https://doi.org/10.34411/00000269c1a7c795-16c0-480c-9282-2e7fdc3a26fe
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
kka-032-004.pdf (7.3 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2020-11-24 | |||||||||
| タイトル | ||||||||||
| タイトル | 狂言における面とは何か その(1) 日本の芸能面の発現を考える | |||||||||
| 言語 | ja | |||||||||
| タイトル | ||||||||||
| タイトル | What Are Masks in Kyôgen? (1) The Evolution of Stage Masks of Japan | |||||||||
| 言語 | en | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Kyôgen | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | masks | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | spirituality | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | formative period | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | departmental bulletin paper | |||||||||
| ID登録 | ||||||||||
| ID登録 | 10.34411/00000269 | |||||||||
| ID登録タイプ | JaLC | |||||||||
| 著者 |
坂場, 順子
× 坂場, 順子
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| 抄録 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | The masks of Kyôgen, traditional Japanese comedic theatre, have treaded a unique course of development. While Kyôgen does employ masks in a variety of plays, they are not a critical aspect of the theatre form. The use of masks in Kyôgen is limited to certain types of plays and to certain character types. Furthermore, Kyôgen masks lack the kind of spirituality that is considered to be at the root of the creation of archetypal masks, or which is at the core of Noh--Kyôgen's sister theatre art. The purpose of the research notes is to seek reasons behind the unique development of Kyôgen masks, and to explore original power that has motivated and shaped Japan's singular comedic theatre. As the first stage of the research, we would like to turn our attention to how masks in Japanese performing arts at large emerged by reviewing general characteristics of masks in Japan, in the context of the formative period of Japan as a nation. We would like to look at how Japanese masks became 'Japanese' by exploring what kinds of needs the populace of the Japanese archipelago had had. | |||||||||
| 言語 | en | |||||||||
| 書誌情報 |
神奈川工科大学研究報告.A,人文社会科学編 巻 32, p. 37-42, 発行日 2008-03-20 |
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| 出版者 | ||||||||||
| 出版者 | 神奈川工科大学 | |||||||||
| ISSN | ||||||||||
| 収録物識別子タイプ | PISSN | |||||||||
| 収録物識別子 | 09161899 | |||||||||
| 書誌レコードID | ||||||||||
| 収録物識別子タイプ | NCID | |||||||||
| 収録物識別子 | AN10074088 | |||||||||
| フォーマット | ||||||||||
| 内容記述タイプ | Other | |||||||||
| 内容記述 | application/pdf | |||||||||
| 著者版フラグ | ||||||||||
| 出版タイプ | VoR | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
